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it does not let up
with brooding melodies that reflect on human mortality
Parts of the soundtrack are reminiscent of Yann Tiersen's best known film work
he began his career in the early '60s as a part of New York's vibrant Latin jazz scene
Deliverance- Live at Cornerstone Fest 2001: The Triumphant Return - Maroon (Vinyl) Billy Sherwood it does not let upIn the early 2000s, when the mainstream music scene was largely dominated by alternative and grunge, heavy metal was struggling to keep it's relevance alive. The scene, which had once been the voice of rebellion and vitality, seemed to fade into the background. But for fans of Christian metal, a beacon of hope flickered at Cornerstone Festival 2001. Hosted by HM Magazine, Deliverance's Live at Cornerstone Fest 2001: The Triumphant Return marked a
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