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the gods we believe in or the machines we are endowing with life
palmiers and galettes that have earned him a cultish following in Australia and beyond
die über viele Jahre erdacht und ausgeführt worden sind
die für Außenstehende nichts als Hieroglyphen sind
Daido Moriyama: Record 2 installation the gods we believe inThe direct sequel to a classic photobook. An exceptional selection of photographs from Daido Moriyamas seminal magazine publication from 2017 to today. Between June 1972 and July 1973, Daido Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. In 2006, encouraged by the Japanese publisher Akio Nagasawa, Moriyama was able to resume publication of Record.