Chez la Marchande de Pavots Size:M - 50 x 70cm Henry Hu uses this contrast

Henry Hu uses this contrast deliberately: the dissonance between elements is not a flaw but the point

this poster demonstrates the movement's ambition to dissolve the boundary between art and craft

Kandinsky structured the canvas around color's emotional weight rather than any representational logic

runners and calyx detailed with the same care given to the primary specimen

Chez la Marchande de Pavots Size:M - 50 x 70cm Henry Hu uses this contrastGeorge Barbier conjured a world of languid luxury in this illustration a flower seller's stall rendered in the opulent visual language of 1910s Paris. Figures move through the scene with theatrical grace, their clothing and postures performing a kind of slow choreography. Barbier's signature palette rich ochres, deep greens, precise outlines frames the composition with the confidence of someone who understood that decoration, when done with