this publication documents a crucial moment in early 1980s contemporary art
" Gidal left a lasting legacy as a compassionate chronicler of 20th-century history whose work balanced spontaneous storytelling with rigorous intellectual depth
multi-page portfolios by photographers David Vestal and David Rosenfeld
cementing the George Eastman House as an avant-garde epicenter for photographic theory and curation
The Viewer as Voyeur. April 30–July 8, 1987. Signed book this publication documents a crucialWhitney Museum of American Art at Philip Morris, 1987. Essay by Andrea Inselmann, Grant Keste, James Peto, and Charles A. Wright, Jr. Exhibition catalogue of 28 works in various media by sixteen twentieth century artists and photographers, including Walker Evans, Weegee, Edward Hopper, Eric Fischl, Joseph Cornell, Reginald Marsh and others. Wraps, 12 pages, 8 illustrations (1 color). Very good with a few small crimps. Summary: The Viewer as Voyeur