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unhurried aesthetic of early 20th-century print culture
The composition is spare and frontal
It is intimate in scale but monumental in execution
The deep blue palette turns a clinical subject into something closer to a still life: layered
Cherry Blossom by Kazumasa Exhibition Shao Mi unhurried aesthetic of early 20th-centuryCherry Blossom comes from the hand coloured photographic work of Ogawa Kazumasa, a Meiji era Japanese photographer and publisher who pioneered the collotype printing process in Japan. Best known for his flower photography, including the portfolio Lilies of Japan, Kazumasa used delicate hand tinting to bring a painterly quality to photographic prints of blossoms and landscapes a rare bridge between documentary photography and decorative art. As an
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